GOLDEN MEMORY. Performed 8 December 2016.

MATERIAL DISCOURCES in CONTEMPORARY DANCE PERFORMANCE. Lecture by Professor Kirsi Monni.

Dr. Kirsi Monni

On 12th November Professor Kirsi Monni sahred her views on contemporary dance as an art form, the changes in its aesthetics and ideology in the XXth century and the current contemporary dance field in her lecture at ZIL Centre. ROOM FOR provides you with original text of the lecture and its Russian translation.


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ROOM FOR | PERFORMANCE SERIES

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ROOM FOR PERFORMANCE SERIES – brand new works of advanced choreographers and dance artists in exciting, non-theatrical space, gathered in one evening.


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June 1, 2015

DANCE AS THEATRE. Interview with Alexander Pepelyayev

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In anticipation of the “Café Idiot” premiere we got a rare opportunity to talk with its stage director, one of the oldest figures in contemporary dance in Russia Alexander Pepelyayev. We had thirty minutes to try and sort out why dance is called “visual theatre”, how “code” works, and “how it all began”.


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CONCERT ON THE TAKEOFF STRIP

ROOM FOR TSEKH’14 Festival. Saving energy.

основное фото фестиваля_Photo by Michel Cavalca

We’re closing project ROOM FOR Festival TSEKH’14 by Natalia Skulakova’s review of the last performance presented at the festival, “Tarab” by 7273 Company (Switzerland).
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ROOM FOR TSEKH’14 Festival. Mission impossible.

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We keep on posting reviews of project ROOM FOR TSEKH’14 Festival. Of the three Russian performances shown as part of the festival interdisciplinary piece “Moments” is the most recent one. Polina Romashkina ponders its origins, capabilities and prospects in her review.
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ROOM FOR TSEKH’14 Festival. Nine phrases and one act.

photo by nicole seiler

ROOM FOR Festival TSEKH’14 has come to a close, and we are posting some reviews of the project that seem most interesting to us.

We’re starting with Vera Shelkina’s review of a performance entitled “A Serious Act” by Nicole Seiler Company (Switzerland).
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WRITING DANCE: Interview with Jonathan Burrows.

Burrows-motionbank-workshop-Jessica Schäfer

This summer we took part in Jonathan Burrows ‘s workshop called «Writing dancing», where he proposed to investigate choreographic process, re-examine and extend our notions of how a dance can be made and what it can communicate to someone watching it. Leaving workshop with lots of fruitful thoughts we decided to share them with you and asked Jonathan to re-examine some questions from the workshop. As the result we’ve got the interview, which we post below.


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ROOM FOR PERFORMANCE SERIES #1

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