On 12th November Professor Kirsi Monni sahred her views on contemporary dance as an art form, the changes in its aesthetics and ideology in the XXth century and the current contemporary dance field in her lecture at ZIL Centre. ROOM FOR provides you with original text of the lecture and its Russian translation.
In the beginning of October a reknowh director and professor at the Institute for Applied Theatre Studies Heiner Goebbels visited Moscow with one of his works, that were shown at Territoriya Festival. We talked with Heiner on the importance of live arts in the time of Internet and technologies, the unique culture of the Institute and […]
In the beginning of November Norwegian Hammerfest hosted Kedja 2015 – an encounter for producers, managers and dance artists. As we found out, contemporary dance community outside Russia shares a lot of similar to ours subjects for discussion. We gathered the most interesting and actual ideas and perspectives in our short essay.
Alexei Viktorovich Fomkin, current artistic director of Tanzhaus at Moskvich culture centre, recently left his position as vice rector of the Vaganova Ballet Academy. One of his major achievements in his previous job was opening a master’s program for contemporary dance choreographers, the program that’s known for its radicality. We were interested in talking to […]
We’re closing project ROOM FOR Festival TSEKH’14 by Natalia Skulakova’s review of the last performance presented at the festival, “Tarab” by 7273 Company (Switzerland).
We keep on posting reviews of project ROOM FOR TSEKH’14 Festival. Of the three Russian performances shown as part of the festival interdisciplinary piece “Moments” is the most recent one. Polina Romashkina ponders its origins, capabilities and prospects in her review.